For many music fans—especially female fans—hearing a song by an artist like Sarah McLachlan can be like stepping into a time machine. Not a time machine that travels through history. No, it’s much more personal than that.
Who that’s had their heart broken in the 90s and on, or suffered some terrible loss, hasn’t found solace in McLachlan’s ballads? From “In the Arms of an Angel” to “I Will Remember You,” McLachlan’s mezzo-soprano can take you back to the most vulnerable, but also sentimental times in your life.
And at 47, McLachlan is marking a new phase in her life with her Shine On Tour which comes to Borgata Hotel Casino & Spa in the Event Center on March 13. The world tour is in support of her 2014 album “Shine On,” her eighth studio album which was written after McLachlan’s father passed away.
“It’s about going through your 40s and all the changes,” McLachlan tells CNN. “We don’t get to that point in our lives unscathed. We’re losing our family members. I lost my brother last November to bowel cancer so there are so many big changes that happen in our 40s, and it’s sort of that tipping point of I’m in the second half of my life.
“To a certain degree I get to choose what this is going to look like,” she says. “How do I want it to look? And it’s sort of a reassessing of everything and I thought, I’m so lucky, I’m so blessed. I have so many amazing things that have happened to me. I have my health, I have my kids’ health, I have great friends and family. I just want to suck the marrow out of every day that I have left because you just don’t know. You don’t know when your time is and I want every day to count.
In 1973, when a teenage Marie Osmond released her No. 1 country hit “Paper Roses”—her first released single—some may have written her off as just another Osmond—albeit the prettiest—on the scene.
And really, how long could this Osmond thing go on?
Turns out for a pretty long time. Going on 42 years now.
Marie Osmond has been a lot of things in her career—singer, actress, author, doll maker, TV host (including the Miss America Pageant), Broadway star and a screenwriter. Whether singing with her family, her brother Donny or as a solo act, Osmond has endured a lot longer than any paper rose.
On March 13 Marie Osmond brings her solo show to Borgata Hotel Casino & Spa performing at The Music Box.
It’s important to note that this is a solo show at Borgata as Marie is so closely associated with her brother Donny. The two have performed together as an in-house staple at Las Vegas’ Flamingo Hotel since 2008 with one of the most popular shows there.
But in Atlantic City, Marie will take The Music Box stage offering up an intimate evening dubbed “My Life Through Music,” exploring a career that started with an appearance on The Andy Williams Show when she was only three years old as part of the Osmond Brothers (though she rarely performed with the group through her career).
Since then, it’s easier to list what Marie hasn’t done in showbiz than what she has.
There are certain things you always have to admire about a rock star who has been making hits since the 1970s and still keeps going.
Endurance, sure … adaptability, OK … talent, of course.
Versatility—now that’s the key.
Take a guy like Mike Rutherford, one of the founding members of the rock group Genesis.
Right off the bat that’s enough for a career—to be one of the founding members and bassist for 70s (and 80s) rock giants Genesis, a group inducted into the Rock and Roll Hall of Fame in 2010.
But in Rutherod’s case, it’s much more than that. After all, he’s been bassist, rhythm guitar and lead guitar for the band as well as one of the group’s principal song writers through all of Genesis’ incarnations.
That’s the Peter Gabriel Genesis and the Phil Collins Genesis.
Rutherford wrote the lyrics for some of the band’s biggest international hits, such as “Follow You Follow Me”, “Turn It On Again”, “Land of Confusion” and “Throwing It All Away”.
So that’s pretty versatile right? Enough to make you want to see Rutherford and Genesis at Borgata Hotel Casino & Spa right?
Wrong. Genesis isn’t coming. Rutherford is coming with his other band Mike & the Mechanics on March 6 at the Music Box.
We in Atlantic City love Philadelphia.
Oh, sure, on the Boardwalk we don’t put cheese whiz on our cheesesteaks—you know, in favor of actual cheese—but that’s just a minor regional thing between close cousins. Atlantic City is Philadelphia’s beach and we share everything from a love of the Philadelphia Eagles to a penchant for funnel cake on the boards.
And then there’s the music, from the old “American Bandstand” days to the great jazz of the City of Brotherly Love.
And who can forget Philadelphia Soul? No, not the arena football team but the great soul music of Philadelphia that came out of the 70s?
Whether you called it Philadelphia Soul, the Philadelphia Sound or just Sweet Philly, Philadelphia introduced a style of soul music that swept the country and was characterized by funk influences and lush instrumental arrangements. The sound is seen as laying the foundations for disco, quiet storm and smooth jazz.
And three of the best examples of this sound are coming to Borgata Hotel Casino & Spa at the Borgata Event Center January 31 with the show The Sound of Philadelphia. On the bill are the O’Jays, Russell Thompkins Jr. & The New Stylistics and The Delfonics.
It’s been 20 years since the Philadelphia trio of G. Love & Special Sauce first appeared on the music scene with their alternative hip hop, “sloppy” laid-back jazz sound.
Yeah, you read that right—alternative … hip hop … laid-back … sloppy … jazz.
Oh yeah, and they’re very bluesy. And there is a lot of classic R&B in their sound.
Let’s face it, there’s a lot going on musically when G. Love & Special Sauce jam. And there’s not a lot of bands out there that can pull off a combo like that, let alone make it for 20 years since the release of their first album, G. Love & Special Sauce, in 1994.
But in 2014, the band is back with a new album, Sugar, a hot new single, “Nothing Quite Like Home,” and are touring with their original line-up—Garrett “G Love” Dutton, Jeffrey “The Houseman” Clemens (drums) and James “Jimi Jazz” Prescott (bass)—for the first time in eight years.
The group hits Borgata Hotel Casino & Spa on January 3 at The Music Box.
Tony Bennett is timeless.
Now on the surface that seems like a pretty standard publicist’s type of thing to say about a singer who had his first No. 1 hit, “Because of You,” in 1951 and saw his most beloved song, “I Left My Heart in San Francisco,” released in 1962.
But Bennett—who performs November 28 in the Borgata Event Center—doesn’t need some slick code for “old” or “from yesteryear.” Not when he has the No. 1 album in the country right now in 2014.
That’s right. His No. 1 album Cheek to Cheek, featuring classic duets with the very modern Lady Gaga—you may have seen Bennett’s and Gaga’s recent live televised concert special on PBS—is being hailed by critics for introducing jazz to a new generation.
On the charts at No. 1 in 1951. On the charts at No. 1 in 2014.
Tony Bennett, at 88, is still new.
His secret? He stays true to himself and sings the standards of American music that can touch any generation. And since his revival with young audiences in the 1990s (Anyone remember Tony at the “MTV Video Music Awards” at the height of the grunge era?) he’s sung them with a litany of great artists, old and new, from Christina Aguilera to Willy Nelson to Amy Winehouse to Billy Joel and so many more.
The story of singer/songwriter Justin Hayward, who appears October 31st at the Borgata Music Box, is a strange tale of a musician taken over and heavily influenced by a diabolical device known as the Mellotron.
This spooky machine led to one of the most influential symphonic rock bands of all time making late laments and giving their sound over to an electro-mechanical, polyphonic tape replay keyboard.
And that’s just scary … or maybe just a little moody. And blue?
Ok, it’s not scary at all. We’re stretching.
The truth is that Hayward, longtime lead singer of The Moody Blues and writer of such hits as “Nights in White Satin,” “Tuesday Afternoon” and “Question” is playing the Music Box on Halloween because, well it’s a Friday and a big party—Halloween is always a party at Borgata Hotel Casino & Spa—and that’s always a good time to bring in one of the legendary stars of classic rock.
And Hayward certainly qualifies as the frontman for the band’s glory days starting in 1966 and penning most of The Moody Blue’s biggest hits.
In 1981, anyone who bragged of having a good record collection (yes, vinyl records still ruled) had a copy of Foreigner 4.
Cleverly titled as it was the fourth album from the British/American arena rock gods Foreigner, the album included some of the group’s most iconic hits including “Urgent”, “Waiting for a Girl Like You” and “Juke Box Hero”.
An entire generation of air guitarists alone playing “Juke Box Hero” helped propel the album to more than 6 million copies sold in the U.S. and a 10-week stint at No. 1 on the album charts (which was a record for Atlantic Records artists). Worldwide, the album sold more than 9 million copies.
(Note for younger people: Music fans used to buy entire albums at once, which came in a cardboard sleeve. Or at least a cassette tape. No downloads.)
Those were heady days, and Foreigner and Borgata Hotel Casino & Spa are bringing them back again with special October 3 & 4 performances of “The Best of Foreigner 4 & More,” an homage to the band’s most successful album ever. The shows will be held at Borgata’s Music Box.
The two shows are the last U.S. stop on Foreigner’s current tour before the band heads off to Europe. The band will debut an entirely new set consisting of the best of Foreigner 4 along with several other chart hits.